FEARLESS 2013-2014 SEASON 21

 

RAVENOUS RAVE REVIEWS!

 

"Windfall turns 'Empty Plate' into a satisfying meal for thought"

Mike Fischer, Milwaukee Journal Sentinel

 

 

"A Feast with Flores"

Russ Bickerstaff, Express Milwaukee

 

 

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The cast of Windfall Theatre's production of An Empty Plate in the Café du Grand Boeuf
L to R: Lindsey Gagliano, Matt Wickey, David Flores (seated),
Christopher Elst and Mohammad ElBsat

 

 

 

 

 

 

 

 



A LITTLE NIGHT MUSIC

Follow the links and read below the Rave Reviews and listen to a wonderful preview!

Third Coast Digest Podcast Preview

Third Coast Digest Review

Milwaukee Journal Sentinel Review

Julie McHale, Review (Waukesha Freeman and Bay View Compass)

Stephen Sondheim, considered by many as the ultimate composer of American musical theater, first gained notice when he wrote the lyrics for Bernstein’s score for “West Side Story.” Sondheim has a very unique musical style and is an exceptionally clever lyricist as well.  One doesn’t want to miss a word, so vocalists have to articulate very carefully when delivering his compositions.

Windfall Theatre celebrates its 20^th anniversary with a stunning production of “A Little Night Music.”  One can hardly believe the assemblage of talent that Carol Zippel gathered for this show.  Sondheim himself would probably revel in this showing of his musical on its 40^th anniversary.

Set in Sweden in the early 1900’s, it is based on an Ingmar Bergman film, “Smiles of a Summer Night.” There definitely are smiles in this show.  It swirls along with graceful dancing, sexual intrigue, amid the witty wisdom of Madame Armfeldt, the elder of the tribe, so deliciously portrayed by Michelle Waide.

The opening overture introduces us to five strong vocalists – Matt Wickey, Kristin Pagenkopf, Marcee Doherty-Elst, Isaac Brotzman, and Heather Reynolds – who set the tone of the whole production.  We already sense, under the musical direction of Christopher Wszalek, that we are in for a melodic banquet. This quintet of voices appears regularly to provide transitions and emphasize main turning points in the story.

The plot revolves around Fredrik Egerman, masterfully rendered by the incomparable David Flores, his second wife, the still innocent Anne, nicely depicted by the lovely vocalist Emily Pogorelc, his former lover and actor Desiree, a complex mix of flamboyance and confusion, cleverly captured by Tamara Martinsek, and another unforgettable couple, the blustering Count Malcolm (Christopher Elst) and his acerbic wife Charlotte (Laura Monagle), both of whom cross paths with Fredrik via Desiree.

Two other characters provide supreme delight – Doug Clemons as Henrik, Fredrick’s tortured son, and the flirty, dirty maid Petra, hilariously rendered by the inimitable Liz Mistele.  Alison Pogorelc does a good job as Desiree’s daughter and companion to her grandmother, Madame Armfeldt.

Few of Sondheim’s songs enjoy a life beyond his musicals, with the exception of “Send in the Clowns,” which provides the moving climax of this show when Fredrik and Desiree realize that they may finally get their timing right. There are many numbers, however, that are vital to the context of the story and are beautifully delivered by these gifted vocalists.

Several of these include, “Later” by Henrik; “Soon” by Fredrick, Anne and Henrik; “In Praise of Women” by Carl-Magnus Malcolm and “Every Day a Little Death” by Anne and Charlotte. The ensemble number “A Weekend in the Country”is especially well done, emphasizing in its lyrics Sondheim’s supreme sense of irony.  Mention must also be made of Petra’s strong rendering of “The Miller’s Son.”  Mistele has such a mischievous quality about her that one has to smile just anticipating her next move.

I can’t rave enough about this powerful show.  It already has made my list of “The Best of 2013” and it’s only May.  I can’t imagine another show that will match this one.  Because Windfall Theatre has its home in the Village Church at 130 E. Juneau in Milwaukee, there are no performances on Sunday. The remaining dates include May 10, 11, 16, 17, and 18. Call 414-332-3963 or visit www.WindfallTheatre.com before all the seats are taken. This is a small theater and a great production directed by the multi-talented Carol Zippel.

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A Time To Live by Howard Goldstein

 

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OnMilwaukee.com Preview Article 

 

AUDIENCE & CRITICS Rave about A TIME TO LIVE

Strong Performances in Windfall's Drama
~ Russ Bickerstaff, Shepherd Express

 

"A TIME TO LIVE" by Howard Goldstein*****This new play is superb! Highly, highly recommended. Opening night played to a full house. It is such a pleasure to be totally involved in a theatre performance with wonderful humour, the input of Buddhism and the rich symbology of the waters of the Great Lake of Michigan and the seasons. The two actors had incredible chemistry - an essential for this play. I've seen Romeo and Juliet where all was dead - ghastly. Do go and see this play written by talented local playwright - Howard Goldstein at the charming, intimate Windfall Theatre in the Village Church on 130 E. Juneau, downtown Milwaukee. This is a writer who knows how to use his words well - shear poetry.

~Chris Merritt, Opening Night, February 15, audience member

 

There's nothing that terrifies us more or gets talked about less than what it means to die - or the related prospect of soldiering on when those dearest to us are gone. That's the subject of Howard Goldstein's "A Time to Live," now receiving its world premiere courtesy of Windfall Theatre - an intrepid company that consistently stages plays involving those thorny subjects that matter most. 

~ Milwaukee Journal Sentinel

Review of “A Time To Live”                              

By Julie McHale, Waukesha Freeman
“A Time to Live” is the kind of sweet-sad play that quietly breaks your heart. Written by local playwright Howard  Goldstein and performed at The Windfall Theater in The Village Church on Juneau in Milwaukee, the story features a recently-married couple – she, a doctor, and he,  a professor of Eastern philosophy, living through the last year of their life together.

The setting is in Milwaukee, near Lake Michigan, a phenomenon of nature that figures prominently in the story.  The structure is episodic as the journey of Madeline and Richard unfolds through the four seasons of the year.  Besides the dialogue between the two characters, both speak directly to the audience at times, giving us some thoughts they don’t share with each other.

The set design is simple but effective.  It was a collaborative effort, shared by Carol Zippel (who also directed the play), Dan Austin and the playwright Howard Goldstein. Lighting was designed by Kevin Czarnota and is an important component in the story as time changes and wanes. The bed dominates the setting, but the window, the folding screen and the bookshelves filled with the “stuff” of their lives together also contribute to the story.

Madeline is dying of cancer and has chosen to stop treatment and try to enjoy the time that remains. Richard doesn’t totally agree with her decision but tries to be supportive and accepting.  A plethora of human emotions reveal themselves here – confusion, sadness, frustration, anger, love, fear, despair, hope.  Because their personalities are quite different, of course each character deals with pain and uncertainty quite differently, but the constant in the story is their steadfast love; albeit how to express it is far from simple and straightforward.  Madeline often seems to be pushing him away, helping him to learn to live without her, and Richard is either clinging or escaping.  Ironically, his knowledge of Buddhist teaching doesn’t seem to be a very helpful guide for him.  However, by the story’s end, one feels a peace and acceptance, indicating that both characters have reached some measure of wisdom in the painful process of facing their mortality.

Beth Monhollen and Christopher Elst are superb in their roles.  We grow to love them both but can’t quite understand how two such different people ended up together (but isn’t that always a mystery).

The references to and descriptions of Lake Michigan, which becomes a symbol of forces beyond our control, a source of beauty and enjoyment, and a reminder of how life is forever changing, greatly  enriches the  poignant, poetic script.

The intimate space of The Village Church is the perfect vehicle for a lovely but heart-wrenching piece such as this. Remaining performances of “A Time to Live” are February 22, 23, 25, 28, and March 1 and 2.  All shows start at 8:00 at 130 E. Juneau Avenue.  Call 414-332-3963 or visit www.windfalltheatre.com for tickets. There was a full house on opening night, so don’t wait to reserve a seat.

A Time to Live” Succeeds with Simplicity

By Matthew Reddin, Third CoastDigest
 Milwaukee doesn’t see a ton of world-premiere shows in a given season, so A Time to Live, at Windfall Theatre, has high expectations built in...this not-quite-a-play – a portrait, perhaps – has a poetry all its own. Goldstein and director Carol Zippel have brought us something a traditional play – with a clearly defined rising action, narrative beats, through-line, climax, etc. – might not have been able to provide with such simplicity: an honest, unpretentious look at a couple forced to live through dying earlier than they ever could have imagined...as Time to Live develops, Monhollen and Elst gradually draw us in; every momentary success earns a smile of gladness and every reminder of her disease provokes a visceral tension...Portraits like this have existed in various mediums for decades, and will for decades more. But Windfall’s production of Goldstein’s play works because it stays on the right side of sentimentality and melodrama. Especially for a world premiere, that’s something to love.